Sarah Mooon © Deichtorhallen/Sarah Mooon

The World's Frist Sarah Moon Retrospective in Hamburg

For the first time ever the oeuvre of the photographer Sarah Moon will be presented in the House of Photography at Deichtorhallen until 21 February 2016

Some 350 photographs and five films allow visitors to immerse themselves in Sarah Moon’s magical world.

More Than A Fashion Photographer

Born in 1941, the photographer grew up in England and France. After working in Paris as a model for several years, she took up photography in 1968. In these years, she adopted the artist’s name Sarah Moon. Her first campaign pictures for the Cacharel fashion label were followed by innumerable advertising photographs for Dior, Chanel, Comme des Garçons, Issey Miyake and Valentino among others, as well as fashion features for magazines. Yet Sarah Moon is much more than a fashion photographer. She makes short films and documentaries (including portraits of her close friend Henri Cartier-Bresson and Lillian Bassman) as well as the feature film »Mississipi One«. In this way, over decades she has developed an individual artistic oeuvre in photography and film outside of her commissioned works.

Protagonist of Mood Photography

Her pictures in soft-focus black- and-white or pale colors lure the viewer into a realm of dreams, of myths and fairytales; they also reflect the paradisiacal: unknown landscapes, enchanted cities. Her fashion shots, still lifes and portraits seem like views into timelessness. In her series – and also in the exhibition in Hamburg – she herself combines portraits, still lifes of flowers, and views of the city and the countryside. Her unmistakable style influenced the so-called mood photography.

»Sarah Moon disturbs the viewer. She jolts him or her out of the space of ordered identity into a time of discord and chaotic difference. The content of each individual picture is uncertain. Time and space become blurred. The pictorial structure and composition are ambiguous, irregular and fragmentary. The sharpness is often reduced, details, surfaces and color values are changed, a gray fog is added. The shots processed by the artist thus reflect her painterly and graphic imagination and give pictures the appearance of an emerging or fading memory,« say the exhibition curators Ingo Taubhorn and Brigitte Woischnik.

World’s First Comprehensive Retrospective

Sarah Moon’s works have been shown in museums and galleries throughout the world, including the
International Center of Photography in New York, the Maison Européene de la Photographie in Paris, the
Kyoto Museum of Contemporary Art and the Royal College of Art in London. The retrospective exhibition
in the House of Photography at the Deichtorhallen Hamburg is the most comprehensive exhibition by
Sarah Moon to date.

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